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Home / Services / Image Editing / Background Removal
Hand-drawn clipping paths that lift a subject off its background cleanly — on white, transparent or any custom colour. No automated cutouts, no soft halo, no fringe left on the edge.
Background removal is the operation behind almost every product listing you have ever scrolled past. The subject is isolated from whatever it was shot against and placed on the background the channel requires — pure white for most marketplaces, transparent for compositing, or a brand colour for campaign use.
We draw the path by hand in Photoshop, with the pen tool, at full resolution. Automated selection is fast, and it is also why so much outsourced cut-out work has to be checked: it fails on reflective surfaces, semi-transparent material, fine product edges and anything with a soft boundary. A hand-drawn path does not.
A correct result has a clean edge at 200% zoom, no residual colour fringe from the original background, and a subject that has not been eroded by a selection tool trying to be helpful. That is the standard every batch is checked against before it leaves the floor.
Simple, well-defined silhouettes on a clean studio background. The highest-volume tier and the lowest rate per image.
Products with internal holes, handles or moderate edge complexity requiring multiple paths.
Reflective, transparent or intricate subjects — glassware, chains, mesh, foliage — where a path meets masking.
White, transparent PNG, custom colour or a supplied lifestyle background, delivered in any format you specify.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
No. Every path is drawn by hand with the pen tool at full resolution. Automated cutouts fail on hair, transparency, reflective surfaces and fine product edges — which is exactly the work agencies send out. Hand-drawn paths are why the output can be forwarded without a check.
Yes. Specify the formats when you send the batch and you will get all of them — a flattened JPG on white, a transparent PNG, and the layered PSD with the path intact so your team can pick the work back up.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $0.30, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.