Post-production that keeps moving after the shutter closes. We cut, grade and finish product, campaign and social video for agencies who would rather not add an editor to headcount.
Video sits alongside image editing on the same brief and the same schedule. Send footage and a reference, and it comes back cut, graded and versioned for every channel you publish to.
Turntables, detail shots and feature cuts built for listings and paid placements, all aligned to your product stills.
Vertical and square cut-downs built from the master edit and paced for feed placement — not a landscape edit cropped and hoped for.
Rec.709 grading matched across a shoot, with rig removal, dust and blemish work, and frame-level retouching wherever a still fix is the right answer.
Lower thirds, callouts and spec overlays built to your brand kit, then versioned out to every ratio and codec the channels you publish to require.
Whatever the format, the same three decisions determine whether a video holds attention or gets scrolled past.
The first three seconds decide whether anyone sees the fourth. We open on the product doing something, not on a logo animation.
One idea per cut, paced so a viewer understands what the product is and why it matters without needing sound.
Graded, levelled, captioned and exported to every ratio your channels need — delivered as masters you can publish the same day.
Video work is commissioned white-label, which means most of what we cut is published under a client’s brand rather than ours. The showreel gathers the material we have written permission to show.
Product, campaign and social edits, cleared for release.
A conservative, industry-standard Adobe pipeline. Project files stay editable and are handed over on request, so nothing we cut is locked to us.
If your team works to a specific pipeline – a shared project structure, a house LUT, a particular delivery spec – send it across and we will work inside it rather than asking you to adopt ours.
Send the footage, a deliverables list and your deadline. We come back with a fixed quote and a delivery date — usually the same working day. Once you approve it, you get a first cut for review, one consolidated round of notes, then the finished masters and every channel version.
Quoted per project rather than by a standard clock, because footage volume and deliverable count vary enormously. A short product edit is typically a few days; a campaign film with grading, motion graphics and multi-market versions takes longer. You get a committed date with the quote, not an estimate.
Two consolidated rounds are included in the quote. We ask for notes gathered in one pass rather than in a trickle, because that is what keeps a project on its delivery date. Anything that missed the agreed brief is corrected at our cost, not counted as a round.
You do. On final payment, full ownership of the finished films and every deliverable transfers to you, with no licensing terms attached and no restriction on how or where you publish. We only reuse work in our own portfolio if you give written permission.
Through one named contact by email or WhatsApp, whichever you prefer. Review cuts go out on a shared link with timecoded notes, so feedback lands against specific frames rather than in a long paragraph.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
Send footage and a deliverables list. Most projects are quoted the same working day.