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Home / Services / Image Editing / Colour Correction
Exposure, white balance and colour restoration matched across a full shoot, so a forty-image set reads as one session rather than forty separate captures.
Colour correction is the unglamorous work that decides whether a product page looks professional. Light changes during a shoot, cameras get swapped, a cloud passes, a lamp warms up — and a set that felt consistent on the day arrives as forty images that do not match.
The work covers exposure, white balance, contrast and saturation, brought into agreement across the whole set. Where there is a colour reference or a physical sample, the product is held to it, because on apparel and homeware colour accuracy is a returns problem before it is an aesthetic one.
Restoration is the harder end of the same discipline: recovering images that are badly cast, under-exposed, mixed-lighting or faded, and bringing them back to something usable rather than something merely brighter.
White balance, saturation and colour cast resolved and matched across the set.
Under- and over-exposed frames recovered, with highlight and shadow detail brought back.
Faded, heavily cast or mixed-lighting images rebuilt to a usable, consistent standard.
Product held to a supplied swatch, sample or approved final rather than to a generic target.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
With a reference. Send a physical swatch description, a colour code, or an approved final image and we hold every subsequent file to it. Without a reference we can make a set internally consistent, but we cannot know which of the forty variations is the true one.
Usually. Mixed daylight and tungsten is the most common problem in interiors and real estate work, and it is correctable to a good standard. Send one representative frame and we will show you the result before you commit the batch.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $0.49, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.