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Home / Services / Image Editing / Pattern Change
Colourway and print variants built from a single shot, matched to how the fabric actually falls — so one sample shoot covers a full range.
A garment produced in eight colourways does not need eight photoshoots. Shoot one, and the remaining seven can be built in post — which is the difference between a sample shoot that costs a day and a production shoot that costs a week.
Doing it convincingly means respecting the fabric. A colour change is not a hue slider: shadows in the folds, highlights on the raised weave and the way light behaves on that specific material all have to move with the new colour. Satin, denim, knitwear and matte cotton each respond differently, and a flat recolour looks flat on all of them.
Print and pattern replacement is the harder version of the same job. The new pattern has to follow the garment — scaling with perspective, distorting across folds, wrapping around the body — rather than sitting on top of it like a sticker.
New colours built with the original shadow and highlight structure intact.
Prints mapped to follow folds, perspective and body shape rather than sitting flat.
Sheen, weave and light response matched to the actual material rather than generalised.
Output held to a supplied swatch, Pantone reference or approved sample.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
As accurate as the reference you give us. With a Pantone code, a physical swatch photographed under known light, or an approved final, we can hold it closely. Without a reference we can produce a convincing variant, but not a guaranteed match to a fabric we have never seen.
Almost always, and the gap widens with the size of the range. One shoot plus seven variants costs less than eight shoots, and it means the full range can be online before every production sample physically exists.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $2.50, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.