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Image editing service

Pattern Change

Colourway and print variants built from a single shot, matched to how the fabric actually falls — so one sample shoot covers a full range.

What pattern change is

A garment produced in eight colourways does not need eight photoshoots. Shoot one, and the remaining seven can be built in post — which is the difference between a sample shoot that costs a day and a production shoot that costs a week.

Doing it convincingly means respecting the fabric. A colour change is not a hue slider: shadows in the folds, highlights on the raised weave and the way light behaves on that specific material all have to move with the new colour. Satin, denim, knitwear and matte cotton each respond differently, and a flat recolour looks flat on all of them.

Print and pattern replacement is the harder version of the same job. The new pattern has to follow the garment — scaling with perspective, distorting across folds, wrapping around the body — rather than sitting on top of it like a sticker.

Who it is for

What we provide

Variant work we take on

Colourway change

New colours built with the original shadow and highlight structure intact.

Pattern replacement

Prints mapped to follow folds, perspective and body shape rather than sitting flat.

Fabric matching

Sheen, weave and light response matched to the actual material rather than generalised.

Reference accuracy

Output held to a supplied swatch, Pantone reference or approved sample.

Examples

Before and after

Pattern Change — after After
Pattern Change — before Before

Pattern Change

Colourway variants
Details

Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.

Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.

Our workflow

Four steps, every time.

01

Upload

Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.

02

Share instructions

Add the spec once. We turn it into a style guide and reuse it on every batch.

03

We edit

Assigned editors work the batch, with an internal QA pass before it leves.

04

Review & delivery

Typically 24–48 hours, in your formats, with revisions included.

Production capability

A short, professional toolchain.

No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.

Editing & finishing

  • PsAdobe PhotoshopRetouching · masking · compositing
  • LrAdobe LightroomBatch colour · exposure · consistency
  • AiAdobe IllustratorVector paths · raster-to-vector
  • CrAdobe Camera RawRAW conversion · exposure recovery

Files & handoff

  • DbDropboxShared production folders
  • GDGoogle DriveReview & approval rounds
  • WtWeTransferOne-off bulk delivery
  • FTPYour FTP / DAMWe work inside your system
Quality, turnaround & revisions

What you can hold us to.

Turnaround
24–48h

Rush slots available on request for campaign deadlines.

Revisions
Included

Included in the rate, not billed as a second pass.

Formats
JPG · PNG · TIFF · PSD

Layered files kept intact and delivered on request.

Minimum order
1 image

No monthly commitment, no retainer required.

Why Fix The Subject

What working with us actually looks like.

Reliable workflow

A named contact, a documented spec per client and a predictable 24–48 hour cycle.

Clear pricing

Per-image rates that scale with volume, quoted per account after a test batch.

Support that answers

Overlapping cover across North American, European and Asian hours.

Secure file handling

NDA on request, white-label output and free storage for up to six months.

FAQs

Frequently asked questions

As accurate as the reference you give us. With a Pantone code, a physical swatch photographed under known light, or an approved final, we can hold it closely. Without a reference we can produce a convincing variant, but not a guaranteed match to a fabric we have never seen.

Almost always, and the gap widens with the size of the range. One shoot plus seven variants costs less than eight shoots, and it means the full range can be online before every production sample physically exists.

Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.

Per image, starting from $2.50, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.

The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.

Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.

Need more clarity?

Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.

Send ten images. See the pattern change.

A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.