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Home / Services / Image Editing / Portrait Image Editing
Headshots, corporate and personal portraits finished to a natural standard — skin evened, distractions removed, and the person still recognisably themselves.
A portrait carries a different obligation from a product shot: the subject has to look like themselves. The work is to remove what is temporary and distracting — a blemish that will be gone next week, a stray hair across the face, a crooked collar, a shine from the studio light — and leave everything that makes the face that person’s face.
That means restraint. Lines, moles, freckles and skin texture stay unless you ask otherwise, because a portrait retouched until it is featureless reads as dishonest, and for corporate and professional use it undermines exactly the credibility it was meant to build.
The rest is craft: even skin tone, controlled shine, clean catchlights in the eyes, teeth brightened without going white, hair tidied at the edges, and background distractions removed or replaced with a clean studio colour.
Temporary blemishes removed, tone evened and shine controlled, with texture kept intact.
Eyes brightened naturally, teeth cleaned, stray hairs tidied and clothing straightened.
Distractions removed, or the subject placed on a clean studio colour of your choosing.
A single written standard applied across a whole team so every headshot matches.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
Our default is conservative — we remove what is temporary and leave what is permanent. If your house style is lighter or heavier, send two or three approved finals and we will match them rather than imposing our own.
Yes, and it is one of the most common requests we get. Crop, background, colour and finish are written into a spec for the account, so people photographed months apart still sit correctly next to each other on a team page.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $1.00, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.