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Home / Services / Image Editing / Real Estate Image Editing
Interior and exterior property work — mixed lighting corrected, windows recovered, verticals straightened and skies replaced, so a listing looks like the property on its best day.
Property photography fights two problems that no single exposure solves. Interiors mix warm indoor lamps with cool daylight in the same frame, and any window bright enough to see through leaves the room underexposed — or the room is correct and the window is a white rectangle.
Editing resolves both. Exposures are blended so the room and the view through the window are both visible, colour casts from mixed lighting are neutralised, and the whole frame is brought to the even, open look that makes a space read as larger and more inviting.
The structural work matters just as much: verticals straightened so walls are not leaning, lens distortion corrected, and clutter, cables, bins and reflections of the photographer removed. Where the sky is flat and grey, it can be replaced with something that suits the property rather than something dramatic.
Bracketed frames combined so the room is lit and the window view is still visible.
Mixed daylight and tungsten neutralised for a clean, even, natural result.
Walls straightened and distortion removed so rooms read square and true.
Flat skies replaced, and clutter, cables and reflections removed from the frame.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
They give the best result, particularly for interiors with bright windows. We can work from a single well-exposed RAW where brackets are not available, but the window recovery will be more limited and we will tell you before the batch rather than after.
It is common practice and generally accepted, but it should stay believable — a modest bright sky rather than a dramatic sunset over a suburban semi. We keep it plausible by default, and follow your house policy if you have one.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $1.00, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.