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Home / Services / Image Editing / Wedding Image Editing
Full-gallery culling, colour and finishing for wedding photographers — hundreds of frames brought to one consistent look, in your style rather than ours.
A wedding produces more images than any other single job, shot across changing light from a dim ceremony to bright afternoon to a dark reception — and the couple expects the whole gallery to look like one coherent day. That editing load is why so many wedding photographers work seven days a week in season.
We take the gallery. Exposure and white balance are brought into agreement across every scene, your colour grade is applied consistently, and the selected images are finished — skin evened, distractions removed, and the frame tidied without making anyone look like someone else.
The critical part is that it is your look, not a generic one. Send an edited gallery you are proud of, or your own presets, and that becomes the written standard for your account. The point of outsourcing is to get your season back without your clients noticing anything changed.
Duplicates, blinks and misfires removed, leaving a clean set for you to approve.
Every scene brought into agreement and your grade applied across the full gallery.
Skin, distractions and frame tidy-up on your selected images for the album and preview.
Your own look reproduced exactly, from a reference gallery or your preset files.
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Drag the divider to compare. This is real production output, not a demonstration file — the same standard every batch is measured against.
Most of what we produce is delivered white-label and published under our clients’ names, so only cleared work appears in the public portfolio. If you need to see something closer to your own sector, ask — we can usually share a relevant example privately, under NDA if you prefer.
Send files by Dropbox, Drive, WeTransfer or straight to your shared folder.
Add the spec once. We turn it into a style guide and reuse it on every batch.
Assigned editors work the batch, with an internal QA pass before it leves.
Typically 24–48 hours, in your formats, with revisions included.
No novelty software. The industry standard, used properly, with layered files kept intact so your team can pick the work back up at any point.
Rush slots available on request for campaign deadlines.
Included in the rate, not billed as a second pass.
Layered files kept intact and delivered on request.
No monthly commitment, no retainer required.
A named contact, a documented spec per client and a predictable 24–48 hour cycle.
Per-image rates that scale with volume, quoted per account after a test batch.
Overlapping cover across North American, European and Asian hours.
NDA on request, white-label output and free storage for up to six months.
That is the requirement, not a bonus. We work from your reference gallery or your presets and write the result into a style guide for your account, so clients see your look delivered faster rather than a different look delivered at all.
Typical delivery is 24–48 hours for a standard gallery, depending on frame count and how much finishing the selects need. Peak-season photographers usually book recurring slots in advance so capacity is reserved for their weekends.
Typical delivery is 24–48 hours, depending on image quantity, complexity, resolution and quality requirements. Larger catalogue drops are booked into a scheduled slot so you get a committed date rather than an estimate, and rush work can usually be accommodated if you tell us the deadline up front.
Per image, starting from $0.60, adjusted for complexity and volume. Recurring accounts are quoted after a test batch so the rate reflects your actual files rather than an average. Send a representative sample and we will tell you which tier your work falls into before you commit.
The files, the output you need, and any reference. If you have approved finals from a previous shoot, send two or three — we will match those rather than applying our own defaults, and we write what we derive into a style guide reused on every batch that follows.
Yes. If a file did not match the written spec, correcting it is our cost, not a second charge. Revisions are part of the rate.
Ask us anything about the work, the process or the commercials — you will get a straight answer from a person, not a sales sequence.
A free trial on your first order, no card required. If the output isn’t at your standard, you owe us nothing.